4-channel sound installation
56’33’’ (loop)
Te Tuhi,Tāmaki Makaurau Auckland
1 March–3 May 2026
stereo sound installation
43''17' (loop)
Nine Fathom Deep, Te Whanganui-a-Tara Wellington
20 February - 26 March 2026
4-channel sound installation
58’38’’ (loop)
Audio Foundation, Tāmaki Makaurau Auckland
3 July - 2 August 2025
Apertures Parts I-V is a 4 channel sound work comprised of field recordings taken from the region of Tairāwhiti on the east coast of the North Island / Te Ika-a-Māui in Aotearoa New Zealand. The project was a collaboration with photographer Tony Nyberg, focusing on a region that has been hit incredibly hard over the last few years by repeated storms and extreme weather events. As a more remote part of the country with a long and complicated history very heavily intertwined with the story of colonialization, these difficulties which have been hugely exacerbated by the onset of global warming related climate change.
The long-form sound installation piece was exhibited alongside Tony’s photography in July 2025, and functions as a kind of field study of the region, massively influenced by the amount of visible damage and long-term economic neglect that is ever-present as you navigate along the coast line.
In conjunction with the exhibition 'Shifting Morphologies,' a limited edition 10" lathe cut record entitled 'Apertures' was released featuring two unique tracks from the same body of material.
Mastering by Felix-Florian Tödtloff.
Cover image - Tony Nyberg. Tokomaru Bay Freezing Works, Waimā, 2025
Cover & insert design by Fiona Lascelles
Lathe cut in glorious mono by Johnny Electric in Ōtautahi, Aotearoa New Zealand
Which Me Will Survive
Stereo sound design in 3 parts
38’37’’
Sluice Expo, Seyðisfjörður, Iceland
Audio contribution for an emergency broadcast on Seyðisfjörður Community Radio
23 – 25 May 2025
Which Me Will Survive is three-part sound work composed through collage, musical composition, rhythm, accident, and collaboration. Bringing together field recordings of transport networks & natural elements as well as composed sonic materials, the work explores processes of connection, interruption, and emergence.
Structured as a sequence of 3 interrupted transmissions, it moves between textures and samples, inviting listeners to navigate the relationships between sound, chance, and agency.
Infrastructural Futures uses Vinay Gupta’s Simple Critical Infrastructure Maps as a loose structural framework.
“These maps were originally designed to allow someone to orientate themselves around the infrastructure and they exist inside in the event of a crisis. The way it does this is by plotting the six ways to die: too hot, too cold, illness, injury, hunger, and thirst. If you’re not dying of one of these six things, then you’re going to be dying of old age. Then what it goes on to do is that it puts the individual at the center of the map and then concentrically moving out from the individual, we move through those spaces up to the world level. And then it maps infrastructure, or the means of not dying, against those concerns.“
The work was originally broadcast on Friday 24th May 2025 on Seyðisfjörður Community Radio in Iceland, and online for a global audience.
A Garden To Banish Loneliness
Stereo sound installation & mixed media temporary intervention
dimensions variable
Studio 445 Window Gallery, Tāmaki Makaurau Auckland
3 - 16 August 2023
A Garden to Banish Loneliness was a multi-disciplinary installation shown at Studio 445 Window Gallery. The work continued the collective’s interest in collage and ephemera by reframing discarded or found materials into new speculative narratives.
Drawing inspiration from science fiction landscapes and depictions of garden environments in fairytales, the character of the installation changed as natural daylight gave way to the shimmers of grow lights; what appeared known or familiar during the day grew stranger and more alien as the light changed. The work built on recent projects that use climate change as a catalyst to reexamine our relationships with the environment, building continuities between historical records and hypothetical futures.
Compound Fracture
Stereo sound installation
24’ 55’’ (loop)
Matca Artspace, Cluj-Napoca, Romania
13 May - 1 June 2023
Compound Fracture is a sound work comprised mainly of field recordings from the summit of Maungawhau and the surrounding area. These recordings have been digitally altered and augmented to create a sonic environment for contemplation and reflection; an opportunity to consider the compounding environmental, political, social and economic crises that are increasingly starting to dictate the rhythm of our lives due to a continual avoidance of forward planning and climate change action.
of un-learning and re-learning
Stereo sound installation
16’ 49’’ (loop)
Matca Artspace, Cluj-Napoca, Romania
September 2020
The sound piece of un-learning and re-learning is a small collection of intuitive, improvised moments and movements; an external expression of everyday efforts to find different coping mechanisms and ways of working.
Reparations (Sun Rises in the East Mix)
Stereo sound installation, textile sculptures
19’ 57’’ (loop), dimensions variable
Matca Artspace, Cluj-Napoca, Romania
March 2020
Penelope’s Loom
Digital photomontage,
dimensions variable
Atelier Äuglein, Berlin
January 2019
Penelope’s Loom documents a process of reengaging with the banal and the mass-produced as generators of content, focusing on new possibilities of artistic production and dispersion. Compositions I-VI have been designed and produced for Vorspiel / transmediale & CTM 2019.
The title of the series is a reference to the Greek figure Penelope and an acknowledgement of her ingenuity and persistence in the face of unwanted circumstances, exerting control over her situation through careful and calculated planning. Despite this, Penelope is later dismissed by Odysseus and drops out of the story, while he sails off onto another great epic adventure. This project emerged from imagining new Penelopes who push back against the traditional story and whose resistance is celebrated rather than overlooked.
Remote Cardiac Arrest
Stereo sound installation, C-type matte prints, publication excerpts & live performance
37 56’’ (loop)
dimensions variable
Matca Artspace, Cluj-Napoca
November 2018
76 pages, 129 x 198 mm, b/w ill., paperback
ISBN: 978-1-9996504-0-7
With roots in Guy Debord’s ideas on psychogeography and cultivating a new awareness of inhabited environments, the publication features texts and photography alongside images from the photomontage series 'Everything That Is Man-Made Requires Maintenance.'
Publication : Enthusiasm is blasting out of all of my holes
C-type matte prints, publication mock-up & excerpts, vinyl lettering
dimensions variable
ai. Gallery, London
May 2018
Everything That Is Man-Made Requires Maintenance
Open Studio
Sluice Project Space
April 2018
To mark the end of their residency at Sluice Project Space, without appeal hosted an open studio with a selection of writing and visual works in progress and an improvised live sound installation in collaboration with Far Rainbow and Phil Maguire.
